zbalz
December 14th, 2000, 07:34 PM
I recently got the complete guitarist book and I've been reading up on it recently. They mention in there that for chord progressions, there are primary movements in a major scale. I major, II minor, III minor, IV major, V maj/dominant 7th, VI minor, and VII Diminished. I was just wondering why II, III, and VI are minors and such. Is it because it sounds good when someone is soloing in that scale? If that is the reason, is there any theoretical reason for it "sounding good"?
They also mention a bit about sevenths (when having to do with chords). They say major 7ths are at I and IV. Dominant sevenths are at V only. Minor 7ths are at II, III, and VI. and diminished 7ths are at the VII. Obviously this has much to do with the movements I mentioned above but what IS the relation?
Thanks
-zbalz
They also mention a bit about sevenths (when having to do with chords). They say major 7ths are at I and IV. Dominant sevenths are at V only. Minor 7ths are at II, III, and VI. and diminished 7ths are at the VII. Obviously this has much to do with the movements I mentioned above but what IS the relation?
Thanks
-zbalz