CyberCobre
May 30th, 2009, 07:33 AM
Anyone here find that playing the pianoforte and playing keyboard are such different animals it requires a real "switch" in technique, one that requires you to "think" differently in order to play it so you don't harm the electonic instrument?
Now, admittedly, I've busted some action on my grand doing Rachmaninoff, one of my favorite composers, and I do have strong, dynamic style when playing the "power" pieces, but when playing on an electronic keyboard that is built to increase volume as one increases the power of the striking action upon it, one would think it could hold up just fine. It was built for that, right? (Supposedly. That's what the specs said, anyway.)
We're finding that not to be the case. I'm having a lot of problems getting the increase in volume required by the dynamics of, say, Stone's work, on keyboard, problems that I don't have on the pianoforte. The "solutions" provided by the manufacturer's keyboard experts are to "increase the volume by programming in the volume increases."
Ah...the dynamics and where and how they are applied depend upon where, what speed, and how Stone plays his parts? So "programming it" doesn't work. It needs to happen under my fingers.
Any suggestions?
Now, admittedly, I've busted some action on my grand doing Rachmaninoff, one of my favorite composers, and I do have strong, dynamic style when playing the "power" pieces, but when playing on an electronic keyboard that is built to increase volume as one increases the power of the striking action upon it, one would think it could hold up just fine. It was built for that, right? (Supposedly. That's what the specs said, anyway.)
We're finding that not to be the case. I'm having a lot of problems getting the increase in volume required by the dynamics of, say, Stone's work, on keyboard, problems that I don't have on the pianoforte. The "solutions" provided by the manufacturer's keyboard experts are to "increase the volume by programming in the volume increases."
Ah...the dynamics and where and how they are applied depend upon where, what speed, and how Stone plays his parts? So "programming it" doesn't work. It needs to happen under my fingers.
Any suggestions?